Lelay Marie is a French journalist who survived the death and tsunamis. Returning to Paris, he wonders about his experience hanging between shimmer and dark, alienating fiance and editor. Marcus is an English child survived the mother a drug addict and his twin brother, hit by a car and a tragic destiny. Lost stubbornly tries in vain to get in touch with Jason, which she always wears a hat. George Lonegan is an American worker can see beyond life, decided to reject that gift and to finally win a life normal. George "listens" to the novels of Dickens and attended a course in Italian cuisine. It will be the "Little Dorrit" by British writer to take him to London, where he lives and has his book Marcus Marie. The meeting will be inevitable. George Marcus and Marie will find relief and answers on this side of life.
You can not see "beyond" of things without being a prisoner of pain. I know George and Marie, adult protagonists Hereafter, which have hovered in the doorway, experiencing death and escaped to better enjoy all that remains live in the world. A world made less imperfect by a boy in his eyes and gestures, something kind, something that will appeal to George and Matt Damon will find a bank to his solitude. In an extraordinary composure of classicism, which gives only a moment of tension, almost unbearable for me, long and merciless in the sequence of the tsunami, the latest film by Clint Eastwood teaches something about life confronting death occurred ... that ( Marie), that suffered (Marcus) and shared (George). Hereafter noted that life is an experiment with a term to be set through prospects for this front: on this side and beyond the border that separates the presence absence. And 'this line of demarcation that acts as a pivot to the editing of the film, alternating between the lives of a woman. of a man and a child, in urban areas designed to pass on to their destiny derailed and severely affected by the nature (the tsunami in Indonesia), from the social tensions (the terrorist attacks on the London Underground), the fatality (the accident). Destini who meet for a moment (or life) in a mutual exchange of salvation. Hereafter, as in Eastwood's other films, where no one looks at the single hero in the film, but the interplay of several parties who want the conflict, prepare the meeting between the protagonists of the stories through the eyes of Marie that he has seen, to George who can see and what they want to see the little Marcus. Dividends of the story in three sottostorie, the author puts the spectators in the middle of something indefinable and yet familiar, like the pain of being, produces views far outside the box on the topic of death and offers to Matt Damon the chance to explore a character seemingly simple, but with great charm within. Clint Eastwood Hereafter confirms its vocation to the nuances, dare the exploration of death with the grace of a poet, and asks questions on matters philosophical and spiritual in contrast to the weakness of the present and in a poignant epilogue to the energy of a feeling collected in the future, in every dynamic of life. A very nice film, Clint Eastwood has accustomed us, maybe a little 'slow towards the second part, but much can be attended to see what advice ... at a time when the cinema gives us a few good movies. Impeccable soundtrack also written by the director himself.
DIRECTOR: Clint Eastwood
ACTORS: Matt Damon
Cecile De France
Joy Mohr
Bryce Dallas Howard
George McLaren
Frankie McLaren
Thierry Neuvic
Marthe Keller
VOTE: 8
0 comments:
Post a Comment