Performing on stage at the Ariston Theater in Sanremo, a Roberto Benigni subdued, less brilliant than usual histrionics, he emphatically celebrated the 150th anniversary of the official unification of Italy, sweating and visibly uncomfortable due to the directives imposed by the top Rai who kept him in check, apparently fearing some irreverent sideswipe shot at the national sultan. But the only witty sneer was granted when the jester has mentioned another famous Tuscan Silvio, author of "My Prisons", alluding to the legal problems of the premier. Sanremo In fact the comic Prato, revealed a lack of freedom and histrionic giullaresca, a little caustic and creative streak that has always marked her performances. Without constraints, Benigni was an overwhelming storm of corrosive satire and surrealism, but in San Remo in his usual ironic and irreverent verve has gone off to give way to an unexpected patriotic faith. Consider the rhetoric about patriotism tumbler on the stage of the Ariston and the subtle distinction between patriotism and nationalism. Instead, really wanted to be intellectually honest, we should admit that patriotism is the antechamber of the chauvinist fanaticism, and imperialism and fascism. The bridge pro-Risorgimento Benigni did not fail to exalt even the Savoy, defined as the oldest dynasty in Europe, as if the first one resulting from secular pedigree was a source of pride, it was supposed to report the serious faults, demerits and historical crimes committed by these rulers, who for centuries have proved to be the most bloody, obscurantist and backward between the European royal families. Moreover, it is extremely difficult to do justice to 150 years of lies told by the winners and to download tons of mud and insults the victims of a real military invasion that was, like any process of "unification" (or, rather, annexation) national and barbaric aggression terrorist, a brutal and bloody conquest that had nothing epic or romantic. Just think of the millions of southern farmers murdered by the occupying army, not to be "liberated" from oppression of the House of Bourbon of the Kingdom of the Two Sicilies, but to be a ruthless colonization, a scheme that cruel and inhuman as Savoyard who looted the enormous wealth of a territory that was not poor, dominant as the false rhetoric we wished to make for too many decades.
no coincidence that in 1920 the newspaper "The New Order" which he directed, Antonio Gramsci wrote the following words, complaining loud and clear what was known as the "Southern Question": "The Italian state was a ferocious dictatorship that has put on fire in southern Italy and islands, quartered, shot, buried alive poor farmers who employed writers attempted to besmirch the trademark of bandits. " But so much so that it Benigni's nonsense San Remo has said many in the evening, even about the 'heroic' pirate Nice and AST Count Cavour, scrolling through a gallery of characters of the Risorgimento, exponents of nineteenth-century Freemasonry, to indicate the British Prime Minister Winston Churchill as the "winner" of Nazism. The forgetful of Prato said a historical falsehood, saying that Italy would have been released by none other than Churchill, on which the figure there is much to argue, in fact in 1933 called Mussolini "the greatest legislator among the living." The British prime minister has attributed the exclusive prerogative of the victory over Nazism is a glaring mistake made on purpose to please right-wing politicians and executives Rai sitting in the audience. Compounding the misconduct of the missed calls were Benigni Resistance anti-fascist, as it might have remembered how in terms of blood and tears has claimed victory for freedom to the Italian people. Rather did not say anything about not hurting for some short-tempered and nostalgic minister in the house. In short, intervention in Sanremo inspiration ironic and biting Benigni was stifled by the directives Rai, for which the Tuscan artist had to present a series of historical nonsense and falsehood. We see that with age the poor fool has become weak and submissive, while the beginning of his career was an unstoppable hurricane of wisdom, humor and poetry. Moreover, already in the film "Life is Beautiful" the national Roberto took a dramatic blunder, mystifying history to win the sympathies of the Hollywood star system and win the Oscar. In the film attaches to the Americans liberation of Auschwitz, when he enters the tank with the white star, is known to January 27, 1945 (on the same day we celebrate the Day of memory) to the Red Army soldiers entered Auschwitz freeing the prisoners survived. It 's true that in film you do not specify that the camp is to Auschwitz, but it clearly suggests. Let's say it was a "harping" granted to the lords of Hollywood.
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